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Characterised by a simple and honest use of form and material, the Principal Chair is timeless in every aspect. It is meticulously designed down to the finest detail, offering an enduring piece to be cherished for generations. Balancing a geometric structure with soft organic shapes, the piece presents a simple structure that forgoes superfluous detailing in favour of a minimal design. The all-wood rendition of the design embodies the essence of the series. With a focus on clarity and simplicity, every aspect of the design fulfils a function, down to the smallest detail. Perfect for restaurants and private homes alike, the all-wood version of the chair and the Principal series can become a staple in homes and hospitality settings.
Crafted from solid oak and coloured beech versions, these chairs cater to diverse preferences while maintaining the highest standards of quality and craftsmanship.
H71 cm x W 63 cm x D 56 cm
Seat depth 48 cm
Seat height 45 cm
Frame in solid oak or beech. Plastic glides mounted as default, felt glides included in the box.
Bodil Kjær has designed a number of furniture pieces or, architectural elements, as she prefers to call them. Her aim was never to create sculptural statements but rather to find functional, economic, and aesthetic solutions
Through her vast travels, Danish professor and architect Bodil Kjær has gained deep insight into the relationship between design and architecture and contributed significantly to the spread of Danish Modern design principles – this was not, however, the main purpose of her travels. Kjær wanted to explore methods and materials that could be used to realize her ideas for functional furniture systems and work environments.
Kjær was born in 1932 and grew up on her family’s ancestral farm near Horsens, Denmark, where she learned to appreciate quality and aesthetics.
She also gained a respect for nature and an interest in the dynamics of society.
As a furniture designer, Kjær views furniture construction from a purely technical perspective, interplayed with modern architecture and created for people. She always considers context and has collaborated with different professions in her desire to optimize physical settings.
Her furniture systems support creative people in their work processes, and her designs include indoor and outdoor furniture, light fixtures, a service trolley and vases, all characterized by lightness and a functionalist expression.
Inspiration
