“In typical Jaime Hayon style, these Paper Lanterns challenge convention,” notes &tradition Brand Manager Martin Kornbek Hansen. “Seen in an ultra light pendant lamp of rice paper, echoing ancient lanterns from Asia - reinvented in a modern aesthetic.” Dating back centuries, paper lanterns have featured in Asia amongst the privileged and the poor, where different colours, shapes and sizes connote different meanings. Here Hayon has dispensed with cultural formalities to create a series of lanterns all in white. Hand crafted with rice paper merging various sizes and shapes together. “Lamps play such an important role in people’s lives,” explains Hayon. “For some cultures, they chase away the darkness by bringing hope. I’ve tried to keep this emotional angle about light – in a lamp that also appears light. By making the bottom part of the lamp open, the idea is to bring even more illumination to people everywhere in the world.” The Paper Lantern series is comprised of three different versions in ivory white rice paper with black stained oak accents in sizes from 46 cm in diameter to 70 cm. Each weighing only 1 kilo, they hang delicately in any indoor setting. Living proof that when East and West meet, the past becomes the present in a poetic expression of both.
The Formakami Lighting Series is available in a range of variations. Explore the complete collection here.
Dimensions
Ø: 50cm/19.7in, H: 50cm/19.7in
Material
Ivory white paper, black stained oak, 4 meter black fabric cord
Spanish artist-designer Jaime Hayón was born in Madrid in 1974. As a teenager, he submerged himself in skateboard culture and graffiti art, the foundation of the detailed, bold-yet-whimsical imagery so imminent in his work today. After studying industrial design in Madrid and Paris he joined Fabrica in 1997, the Benetton-funded design and communication academy, working closely with the legendary image-maker and agitator Oliverio Toscani. In a short time he was promoted from student to head of their Design Department, where he oversaw projects ranging from shop, restaurant and exhibition conception and design to graphics. Eight years later, Jaime broke out on his own, first with collections of designer toys, ceramics and furniture, followed by interior design and installation. These collections put Jaime at the forefront a new wave of creators that blurred the lines between art, decoration and design and a renaissance in finely-crafted, intricate objects within the context of contemporary design culture.
Inspiration
